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Following this came DJ Zinc's "138 Trek", an experiment with drum and bass production at UK garage tempo (138 bpm). This instigated a dialog between breaks and garage producers, with Forward>> (a club night at Plastic People, London) playing host to Zed Bias and Oris Jay (a.k.a. Darqwan). They were mirrored in breaks by producers such as DJ ...
Breakbeat hardcore (also referred to as hardcore rave, oldskool hardcore or simply hardcore) is a music genre that spawned from the UK rave scene during the early 1990s. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop .
Breakbeat is a broad type of electronic music that uses drum breaks, often sampled from early recordings of funk, jazz, and R&B.Breakbeats have been used in styles such as Florida breaks, hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles (including 2-step, breakstep and dubstep).
The breakbeat hardcore rave scene was beginning to fragment by late 1992 into a number of subsequent breakbeat-based genres: darkcore (tracks embracing dark-themed samples and stabs), hardcore jungle (reggae basslines and influences became prominent), and 4-beat also known as "happy hardcore" where piano rolls and uplifting vocals were still central to the sound. [2]
Urban Hype were an English breakbeat hardcore group. The group was formed in 1988, consisting of Bob Dibden (Robert John Dibden) and Mark Lewis (Mark Louis Chitty). They are best known for their toytown techno single, [1] "A Trip to Trumpton", which peaked at No. 6 in the UK Singles Chart in July 1992. [2]
Nu skool breaks or nu breaks is a subgenre of breakbeat originating during the period between 1998 and 2002. [1] The style is usually characterized by more abstract, more technical sounds, sometimes incorporated from other genres of electronic dance music, including UK garage, electro, and drum and bass.
The toughest travel stretch of UK’s schedule: Feb. 15 at Texas, then a home game against Vandy and trips to Alabama (Feb. 22) and Oklahoma (Feb. 25 or 26). That’s a lot of time on the road in ...
Happy breakbeat DJs such as Dougal and Vibes initially introduced bouncy techno tracks to their breakbeat mix sets; Scott Brown Versus DJ Rab S "Now is the Time" (1995) release being a catalyst. [33] Artists in this field started to add bouncy techno characteristics to their compositions, [ 34 ] which created a new type of happy breakbeat music.