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Earliest known (6th century) Roman depiction of Satna Maria Regina (Saint Mary the Queen), Santa Maria Antiqua church, Rome. The depiction of the Virgin Mary as the Queen of Heaven has been a popular subject in Catholic art for centuries. Early Christian art shows Mary in an elevated position. She carries her divine son Jesus in
Mary as the Queen of Heaven in Dante's Divine Comedy. Illustration by Gustave Doré. The Regina Caeli ("Queen of Heaven") is an anthem of the Catholic Church which replaces the Angelus during Eastertide, the fifty days from Easter Sunday to Pentecost Sunday. [24] It is named for its opening words in Latin. Of unknown authorship, the anthem has ...
In Eastern Christianity, the most widely used Christogram is a four-letter abbreviation, ΙϹ ΧϹ—a traditional abbreviation of the Greek words for 'Jesus Christ' (i.e., the first and last letters of each of the words ΙΗϹΟΥϹ ΧΡΙϹΤΟϹ, with the lunate sigma 'Ϲ' common in medieval Greek), [23] and written with titlo (diacritic ...
Salus Populi Romani (Protectress, or more literally health or salvation, of the Roman People) is a Catholic title associated with the venerated image of the Blessed Virgin Mary in Rome. This Byzantine icon of the Madonna and Child Jesus holding a Gospel book on a gold ground , now heavily overpainted , is kept in the Borghese (Pauline) Chapel ...
Depicting the Coronation of Mary as Queen of the Heavens by her son, Jesus Christ, sometimes combined with the Assumption of Mary, is a tradition known since the 12th century. They often depict birds, as an appropriate image of God as the Holy Spirit. Holy Family is iconography of Mary, Joseph, and Jesus.
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Mary crowned in Heaven by Jesus or jointly with God the Father, surrounded by Cherubim and/or Saints A Baroque version by Rubens , c. 1625 The Coronation of the Virgin or Coronation of Mary is a subject in Christian art , especially popular in Italy in the 13th to 15th centuries, but continuing in popularity until the 18th century and beyond.
The Madonna of humility by Domenico di Bartolo 1433 has been described as one of the most innovative devotional images from the early Renaissance [35]. Catholic Marian art has expressed a wide range of theological topics that relate to Mary, often in ways that are far from obvious, and whose meaning can only be recovered by detailed scholarly analysis.
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