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The five main ATSC formats of DTV currently [when?] broadcast in the U.S. are: . Standard definition—480i, to maintain compatibility with existing NTSC sets when a digital television broadcast is converted back to an analog one [citation needed] —either by a converter box or a cable/satellite operator's proprietary equipment
12 June 2009 - final hours of analog broadcast on WWL-TV gave information about websites and telephone numbers for more information about transition.. The digital television transition in the United States was the switchover from analog to exclusively digital broadcasting of terrestrial television programming.
The digital television transition, also called the digital switchover (DSO), the analogue switch/sign-off (ASO), the digital migration, or the analogue shutdown, is the process in which older analogue television broadcasting technology is converted to and replaced by digital television.
It was not until the 1990s that digital TV became a real possibility. [7] Digital television was previously not practically feasible due to the impractically high bandwidth requirements of uncompressed video, [8] [9] requiring around 200 Mbit/s for a standard-definition television (SDTV) signal, [8] and over 1 Gbit/s for high-definition ...
QAM is a digital television standard using quadrature amplitude modulation. It is the format by which digital cable channels are encoded and transmitted via cable television providers. QAM is used in a variety of communications systems such as Dial-up modems and WiFi.
A digital multicast television network, also known as a diginet or multichannel, is a type of national television service designed to be broadcast terrestrially as a supplementary service to other stations on their digital subchannels. Made possible by the conversion from analog to digital television broadcasting, which left room for additional ...
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Test cards typically contain a set of patterns to enable television cameras and receivers to be adjusted to show the picture correctly (see SMPTE color bars).Most modern test cards include a set of calibrated color bars which will produce a characteristic pattern of "dot landings" on a vectorscope, allowing chroma and tint to be precisely adjusted between generations of videotape or network feeds.
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