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Concrete poetry relates more to the visual than to the verbal arts although there is a considerable overlap in the kind of product to which it refers. Historically, however, concrete poetry has developed from a long tradition of shaped or patterned poems in which the words are arranged in such a way as to depict their subject.
Mary Ellen Solt, née Bottom (July 8, 1920 in Gilmore City, Iowa – June 21, 2007) was an American concrete poet, essayist, translator, editor, and professor. Her work was most notably poems in the shape of flowers such as "Forsythia", "Lilac", and "Geranium". They were collected in Flowers in Concrete (1966).
Digital poetry is a form of electronic literature, displaying a wide range of approaches to poetry, with a prominent and crucial use of computers. Digital poetry can be available in form of CD-ROM, DVD, as installations in art galleries, in certain cases also recorded as digital video or films, as digital holograms, on the World Wide Web or Internet, and as mobile phone apps.
In digital poetry the words in the poem may move across the screen or may involve game-like interactivity. [5] In generative literature a single work can generate many different poems or stories. Until the early 2000s electronic literature works tended to be published on floppy disk, CD-ROM, in online
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Calligrammes: Poems of Peace and War 1913-1916, is a collection of poems by Guillaume Apollinaire which was first published in 1918. Calligrammes is noted for how the typeface and spatial arrangement of the words on a page plays just as much of a role in the meaning of each poem as the words themselves – a form called a calligram .
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Though his early writing consisted of fiction and lyrical poems, he first received international recognition in the 1960s for concrete poetry. The first major publications included Journeying & the returns (1967), [ 6 ] a purple box containing visual & lyrical poems and Konfessions of an Elizabethan Fan Dancer (1969) [ 7 ] a book of concrete ...
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