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The term nocturne (from French nocturne "of the night") [1] was first applied to musical pieces in the 18th century, when it indicated an ensemble piece in several movements, normally played for an evening party and then laid aside.
The nineteenth century is often called the Romantic era. During this era, the symphony developed, and a new style of music called "program music" (music that tells a story) developed. Other types of music that became important in the nineteenth century were grand opera, small pieces for piano; piano sonatas, often with the exploration of new ...
In the 17th century, music played an important part at the French royal court; there was no day without music. Louis XIII composed songs, and in 1618 organized the first permanent orchestra in France, called La Grande Bande or the Twenty-four ordinary violins of the King, who performed for royal balls, celebrations, and official ceremonies.
French music history dates back to organum in the 10th century, followed by the Notre Dame School, an organum composition style. Troubadour songs of chivalry and courtly love were composed in the Occitan language between the 10th and 13th centuries, and the Trouvère poet-composers flourished in Northern France during this period.
The styles of ars nova and ars subtilior sprung up in the 14th century, both of which focused on secular songs. As Europe moved into the Renaissance age, the music of France evolved in sophistication. The popularity of French music in the rest of Europe declined slightly, yet the popular chanson and the old motet were further developed during ...
The Classical Period was an era of classical music between roughly 1750 and 1820. [1]The classical period falls between the Baroque and Romantic periods. [2] Classical music has a lighter, clearer texture than Baroque music but a more varying use of musical form, which is, in simpler terms, the rhythm and organization of any given piece of music.
Music publishing originated in 18th century Europe, and it did so to cater for a growing army of cultivated amateurs. "Everybody sang or played, and the experience of teaming up with others was enormous fun. Composers were more than happy to oblige by writing music that was within the grasp of these amateurs". [47]
In fact, in a production called Assemblée fédérative, citizens were allowed to pay to role-play as great speakers of the Enlightenment, re-enacting debates and speeches of propaganda. [13] Inevitably, this situation resulted in a mockery of politics, and performances where actors played the parts of politicians were often controversial.