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The Carmen Fantasy, Op. 25, by Pablo de Sarasate is a fantasy on themes from Bizet's Carmen for violin and piano or orchestra, composed in 1881. [1] A version with piano accompaniment was published in 1882. [2] [3] It was dedicated to Joseph Hellmesberger. [4]
Habanera ("music or dance of Havana") is the popular name for "L'amour est un oiseau rebelle" (French pronunciation: [lamuʁ ɛt‿œ̃n‿wazo ʁəbɛl]; "Love is a rebellious bird"), an aria from Georges Bizet's 1875 opéra comique Carmen.
The Carmen Suites are two suites of orchestral music drawn from the music of Georges Bizet's 1875 opera Carmen and compiled posthumously by his friend Ernest Guiraud. They adhere very closely to Bizet's orchestration. However the order of the musical allusions are in reversed chronological order, and do not adhere to the operatic versions ...
Like Carmen's Habanera, it is built on a descending chromatic scale as Escamillo describes his experiences in the bullfighting ring. In the chorus praising the toreador, the music turns celebratory and confident in character. [1] Frasquita, Mercédès, Carmen, Moralès, Zuniga and the chorus join for the repeat of the refrain. [2]
The two suites of music from Carmen were arranged by Ernest Guiraud, No. 1 in 1882 : Prélude—Aragonaise (Act IV Entr’acte)—Intermezzo (Act III Entr’acte)—Séguedille—Les dragons d’Alcalá (Act II Entr’acte)—Les toréadors, and No. 2 in 1887: Marche des contrebandiers—Habanera—Nocturne (Act III Air de Micaëla)—Chanson ...
Violin and piano 25 Fantasy on Carmen (Bizet) 1882 Violin and orchestra 26 Vito y Habanera (Spanish Dances Nos.7, 8 - Book IV) 1881 ca. Violin and piano 27 Jota aragonesa Violin and piano 28 Serenata andaluza (Andalusian serenade) 1883 Violin and piano 29 El canto del ruiseñor (The Nightingale's Song) Violin and orchestra 30 Bolero 1885
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