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The resulting illicit speakeasies that grew from this era became lively venues of the "Jazz Age", hosting popular music that included current dance songs, novelty songs and show tunes. By the late 1920s, a new opposition mobilized across the U.S. Anti-prohibitionists, or "wets", attacked prohibition as causing crime, lowering local revenues ...
The 1960s brought us The Beatles, Bob Dylan, beehive hairstyles, the civil rights movement, ATMs, audio cassettes, the Flintstones, and some of the most iconic fashion ever. It was a time of ...
1920s: Income Gaps. While swanky speakeasies and flapper fashion styles were a part of the so-called Roaring Twenties, they existed in a context of widespread social and economic inequality that's ...
The first known drag balls in the United States were in Harlem in the 1920s, at the Rockland Palace. [4] These shows featured extravagant performances of gays and lesbians impersonating the opposite sex and competing against one another in fashion shows. Harlem drag balls were primarily made up of people of color. White people were not excluded ...
After existing for over half-a-decade and surviving a number of police raids, [12] the speakeasy presumably closed by 1926 when Cleon Throckmorton and his first wife Kathryn "Kat" Mullin relocated to Greenwich Village in New York City. [13] Today, the speakeasy's neighborhood is the site of The Green Lantern, a D.C. gay bar. [14]
Gladys Alberta Bentley (August 12, 1907 – January 18, 1960) [1] was an American blues singer, pianist, and entertainer during the Harlem Renaissance.. Her career skyrocketed when she appeared at Harry Hansberry's Clam House, a well-known gay speakeasy in New York in the 1920s, as a black, lesbian, cross-dressing performer.
Speakeasies were numerous and popular during the Prohibition years (1920-1933). Some were operated by people who were part of organized crime. Even though police and agents of the Bureau of Prohibition would often raid them and arrest their owners and patrons, they were so profitable that they continued to flourish. The speakeasy soon became ...
Fashion photography in the 1960s represented a new feminine ideal for women and young girls: the Single Girl. 1960s photography was in sharp contrast to the models of the 1920s, who were carefully posed for the camera and portrayed as immobile. The Single Girl represented 'movement'. She was young, single, active, and economically self-sufficient.