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The angel who rescues Shadrach, Meshach, and Abednego from the "fiery furnace" in the Book of Daniel Chapter 3 is usually regarded in Christian tradition as Michael; this is sometimes represented in Early Christian art and Eastern Orthodox icons, but rarely in later art of the Western church.
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Normally given wings in art, angels are usually intended, in both Christian and Islamic art, to be beautiful, though several depictions go for more awe-inspiring or frightening attributes, notably in the depiction of the living creatures (which have bestial characteristics), ophanim (which are wheels) and cherubim (which have mosaic features ...
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Scenes depicting the Annunciation represent the perpetual virginity of Mary via the announcement by the angel Gabriel that Mary would conceive a child to be born the son of God. The scene is an invariable one in cycles of the Life of the Virgin , and often included as the initial scene in those of the Life of Christ .
The angels meet Adam, and seem to share, albeit to a lesser degree, the defiant reaction of Iblīs, who stands at the back haughtily turning his head away. According to tradition, God created Iblīs as a beautiful angel called ʿAzāzīl and he is depicted as such here. He is portrayed with his characteristic darker skin to denote his impending ...
The Portuguese word for "goddess," Eloa was an angel of compassion in Alfred de Vigny's epic 19th-century poem, Eloa or the Sister of Angels. She was said to have been born of the tear Christ shed ...
Images of the Virgin and Child were for centuries the most common subject for Christian religious art. There are many thousands of surviving historical images. The following is a list (probably incomplete) of those with articles, listed by their usual type of title (although other title forms may be found).
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