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The angel who rescues Shadrach, Meshach, and Abednego from the "fiery furnace" in the Book of Daniel Chapter 3 is usually regarded in Christian tradition as Michael; this is sometimes represented in Early Christian art and Eastern Orthodox icons, but rarely in later art of the Western church.
Normally given wings in art, angels are usually intended, in both Christian and Islamic art, to be beautiful, though several depictions go for more awe-inspiring or frightening attributes, notably in the depiction of the living creatures (which have bestial characteristics), ophanim (which are wheels) and cherubim (which have mosaic features ...
Three Angels and Young Tobias; Tobias and Sarah in Prayer with the Angel Raphael and the Demon; Tobias and the Angel (Filippino Lippi) Tobias and the Angel (Pollaiuolo) Tobias and the Angel (Savoldo) Tobias and the Angel (Verrocchio)
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Scenes depicting the Annunciation represent the perpetual virginity of Mary via the announcement by the angel Gabriel that Mary would conceive a child to be born the son of God. The scene is an invariable one in cycles of the Life of the Virgin , and often included as the initial scene in those of the Life of Christ .
The angel Jophiel (Heb. יוֹפִיאֵל Yōp̄īʾēl, "Beauty of God"), [1] [2] also called Iophiel, Iofiel, Jofiel, Yofiel, Youfiel, Zophiel (צֹפִיאֵל Ṣōp̄īʾēl, "God is my watchman") [3] and Zuriel (צוּרִיאֵל Ṣūrīʾēl, "God is my rock"), [4] is an archangel in Christian and Jewish angelology.
The Portuguese word for "goddess," Eloa was an angel of compassion in Alfred de Vigny's epic 19th-century poem, Eloa or the Sister of Angels. She was said to have been born of the tear Christ shed ...
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