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Photographs contributed by Walter Leedy to the Conway Library are currently being digitised by the Courtauld Institute of Art, as part of the Courtauld Connects project. [13] An oral history interview with Leedy was collected by Cleveland State University in 2006, [5] and his papers are archived at Cleveland State University Special Collections ...
The William Oxley Thompson Memorial Library (commonly referred to as the Thompson Library) is the main library at Ohio State University's Columbus campus. It is the university's largest library and houses its main stacks, special collections, rare books and manuscripts, and many departmental subject libraries.
The number of collections in the Ohio State University libraries increased rapidly and caused storage issues. The Ohio State University libraries tried the designed facility to operate high-density off-site book storage and used the new technology of sophisticated climate control systems to extend the life of stored collections. [2]
The Courtauld Institute of Art (/ ˈ k ɔːr t ə ʊ l d /), commonly referred to as The Courtauld, is a self-governing college of the University of London specialising in the study of the history of art and conservation. It is among the most prestigious specialist colleges for the study of the history of art in the world and is known for the ...
Samuel Courtauld (7 May 1876 – 1 December 1947) was an English industrialist who is best remembered as an art collector. He founded The Courtauld Institute of Art in London in 1932 and, after a series of gifts during the 1930s, bequeathed his collection to the institute on his death.
Four buildings are listed on the National Register of Historic Places: Hale Hall (originally Enarson Hall), Hayes Hall, Ohio Stadium and Orton Hall.Unlike earlier public universities such as Ohio University and Miami University, whose campuses have a consistent architectural style, the Ohio State campus is a mix of traditional, modern and postmodern styles.
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The precursor was the University Gallery of Fine Art which was curated by the university's fine art director. [2] In 1970, under Director Betty Collings' leadership, the gallery began hosting major contemporary artists and acquiring the collection that would become the Wexner Center as a response to student grievances about the Kent State shootings. [3]