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Kakiniit are tattoos done on the body, and tunniit are tattoos done on the face, they served a variety of symbolic purposes. [2] [3] [8] Commonly, the tattooed portions would consist of the arms, hands, breasts, and thighs. In some extreme cases, some women would tattoo their entire bodies. [2]
Tattoos, as well as other forms of art in Rapa Nui, blends anthropomorphic and zoomorphic imagery. [3] The most common symbols represented were of the Make-Make god, Moais, Komari (the symbol of female fertility), the manutara, and other forms of birds, fish, turtles or figures from the Rongo Rongo tablets.
Eskew Reeder, Jr. (November 20, 1935 or 1938 [1] – October 23, 1986), usually known by the stage name Esquerita (/ ˈ ɛ s k ə r i t ə / [2]), and occasionally as S.Q. Reeder or The Magnificent Malochi, [1] was an American R&B singer, songwriter and pianist, known for his frenetic performances.
He was born in Bastrop, a suburb of Austin, Texas, and studied trumpet in school, changing to saxophone later. As a teen he began emulating a touring band by buying a red suit with white pants. One night in 1941 a saxophone player did not show for a gig with the band and Houston took his place.
On the session, in addition to Smith on piano, were sax man Lee Allen, Earl King on guitar, and Earl Palmer on drums. [6] The Rhythm Aces consisted of vocalists Dave Dixon, Roland Cook, and Issacher "Izzycoo" Gordon. [8] Mac Rebennack, also known as Dr. John, said, "And Huey was catching the real second line on 'Little Liza Jane'. Of course he ...
Hanck's saxophone or arrangement work has appeared on various albums by J.P. Soars (Full Moon Night in Memphis), Rick Estrin & The Nightcats (One Wrong Turn), R.C. Finnigan (Heart Body and Soul), Mickey Thomas (As Long As You Love Me), Little Smokey Smothers (Chicago Blues Buddies), Jackie Payne (Partners in the Blues), Alice Stuart (Crazy with ...
Williams was born in Lewisburg, Tennessee, and grew up in Bowling Green, Kentucky, before moving with his parents to Detroit, Michigan, at the age of 13.He started learning saxophone and played in school bands before forming his own band, Paul Williams and his Kings of Rhythm, with the trumpeter Lloyd Henderson, in the mid-1930s, and playing in local clubs.