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Over the years, many libraries, video rental stores, and art house movie theaters began centering their programming around film noir and crime fiction in the month of November. [9] Several streaming platforms [ 10 ] like Tubi , [ 11 ] Kanopy , [ 12 ] and Criterion Channel [ 13 ] offer film noir programming in November for movie fans who ...
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Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a cinematic term used primarily to describe stylized Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir.
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
Crack-Up is a 1946 American film noir starring Pat O'Brien, Claire Trevor, and Herbert Marshall. It was directed by Irving Reis, remembered for directing many "Falcon" movies of the early 1940s including The Falcon Takes Over. The drama is based on "Madman's Holiday", a short story written by mystery writer Fredric Brown. [1]
Ace in the Hole (1951 film) Act of Violence; Adventure in Vienna; Affair in Havana; Affair in Trinidad; Africa (2011 film) Afsporet; Alimony (1949 film) All My Sons (film) All the King's Men (1949 film) Allotment Wives; Among the Living (1941 film) Andha Naal; Angel Face (1953 film) Angels Over Broadway; Anna Lucasta (1958 film) Another Dawn ...
Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. [1] During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack 's Absence of Malice ...
The Street with No Name is a 1948 American film noir directed by William Keighley.A follow-up to The House on 92nd Street (1945), it tells the story of an undercover FBI agent, Gene Cordell (Mark Stevens), who infiltrates a deadly crime gang.