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Indo-Saracenic architecture (also known as Indo-Gothic, Mughal-Gothic, Neo-Mughal, in the 19th century often Indo-Islamic style [1]) was a revivalist architectural style mostly used by British architects in India in the later 19th century, especially in public and government buildings in the British Raj, and the palaces of rulers of the princely states.
The so-called Indo-Saracenic architecture, beginning in the late 18th century, but mainly developing from the 1840s until independence a century later, was mostly designed by British or other European architects, and adopted Islamic or specifically Indian features, usually as a decorative skin on buildings whose essential forms reflected ...
Essentially, it was a combination of the Islamic and the Hindu architectural styles. The main features of the Indo Saracenic Style were the construction of domes, arches, spires, stained glasses and minarets. The interiors have Victorian influences while the exterior was Indian.
Indo-Saracenic architecture evolved by combining Indian architectural features with European styles. Vincent Esch and George Wittet were pioneers in this style. The Victoria Memorial in Calcutta is the most effective symbolism of British Empire, built as a monument in tribute to Queen Victoria's reign. The plan of the building consists of one ...
Indo-Saracenic architecture is a type of architecture used by the British architects in India in the late 19th century and the early 20th century. It is a combination of Islamic, Hindu, and Byzantine architecture. Features of Indo-Saracenic architecture include domes, arches, minarets, and stained glass.
[11] [12] The design is in the Indo-Saracenic style, mixing British and Mughal elements with Venetian, Egyptian, and Deccani architectural influences. [13] The building is 338 by 228 feet (103 by 69 m) and rises to a height of 184 feet (56 m). It is constructed of white Makrana marble. [14]
Pages in category "Indo-Saracenic Revival architecture" The following 51 pages are in this category, out of 51 total. This list may not reflect recent changes. *
The principal architecture of the palace is an amalgam of Indo-Saracenic, Classical Revival and Western Art Deco styles. It is also said [ by whom? ] the Maharaja and his architect Lanchester had considered the features of Buddhist and Hindu edifices such as the Temple Mountain-Palaces of Burma and Cambodia , and in particular the Angkor Wat in ...