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Physical Graffiti is the sixth album by the English rock band Led Zeppelin.Released as a double album on 24 February 1975 in the United States and on 28 February 1975 in the United Kingdom, [1] [2] it was the group's first album to be released under their new label, Swan Song Records.
"Houses of the Holy" is a song by English rock band Led Zeppelin from their 1975 sixth album Physical Graffiti. The name of the song was used as the title of the band's fifth album, although it was not included on that album; they decided the song did not fit well with the other album material, so it was moved to the subsequent release.
"Kashmir" is a song by the English rock band Led Zeppelin. Featured on their sixth studio album Physical Graffiti (1975), it was written by Jimmy Page and Robert Plant with contributions from John Bonham over a period of three years with lyrics dating to 1973.
[14] Record World said that "As Zeppelin-sanity begins to reach Beatlemaniacal proportions, the stage is set for the heavy metalmen to take their first single from Physical Graffiti to the top." [15] Released in April 1975, it reached number 38 on the Billboard Hot 100. [16]
It appeared on the later album Physical Graffiti, and in the films Almost Famous and The Song Remains the Same. [citation needed] On 16 June 2016, Page testified under oath, due to the legal proceedings regarding the rights to the song, that he wrote the acoustic guitar intro to "Stairway to Heaven" at Headley Grange, and not at Bron-Yr-Aur. [7]
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The song was not included on the album, but after Jimmy Page added several guitar overdubs in 1974, it was added to Led Zeppelin's following album, Physical Graffiti. [4] As the liner notes state, for the song, the "Guitar [was] lost courtesy of [engineer Ron] Nevison [and] salvaged by the grace of [Keith] Harwood".
Ultimate Classic Rock writer Michael Gallucci ranked "Down by the Seaside" at number 66 (out of 92) on their list of every Led Zeppelin song ranked. [5] Another UCR writer, Eduardo Rivadavia, ranked the song the ninth best on the album, calling it a "wistful fantasy awash in trembling guitars and bluesy electric piano breakdowns."
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