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solo. Alone (i.e. executed by a single instrument or voice). A solo may be written down, as with Classical solos, or improvised, as with jazz and blues solos. soli. Plural for solo; requires more than one player or singer; in a jazz big band this refers to an entire section playing in harmony (e.g. a sax section soli). soprano
In jazz, when one instrumentalist or singer is doing a solo, the other ensemble members play accompaniment parts. While fully written-out accompaniment parts are used in large jazz ensembles, such as big bands, in small groups (e.g., jazz quartet, piano trio, organ trio, etc.), the rhythm section members typically improvise their accompaniment parts, an activity called comping.
solo break A jazz term that instructs a lead player or rhythm section member to play an improvised solo cadenza for one or two measures (sometimes abbreviated as "break"), without any accompaniment. The solo part is often played in a rhythmically free manner, until the player performs a pickup or lead-in line, at which time the band recommences ...
"Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.
Character Pieces for Solo Horn; Abstraction, for solo horn and 8 horns; Jazz Soliloquies for horn "Laid Back" Laid back; Robin Holloway. Partita no.1 for solo horn op 61 no.1; Partita no.2 for solo horn op 61 no.2; Ivo Josipović. Prelude and Fuge for Horn; Viktor Kalabis. Invokation; Bernhard Krol Laudatio for Horn Solo; Henri Lazarof. Intrada ...
Jazz bass is the use of the double bass or electric bass guitar to improvise accompaniment ("comping") basslines and solos in a jazz or jazz fusion style. Players began using the double bass in jazz in the 1890s to supply the low-pitched walking basslines that outlined the chord progressions of the songs.
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The Omnibook has become a major reference for students of jazz improvisation in many genres of jazz music not just bebop. [3] Portions of Parker’s improvised solos continue to be quoted by other improvising jazz musicians today. The transcriptions are not intended to be studied by saxophonists new to the instrument but rather by advanced ...