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The authorship of the Hanuman Chalisa is attributed to Tulsidas, a poet-saint who lived in the 16th century CE. [10] He mentions his name in the last verse of the hymn. It is said in the 39th verse of the Hanuman Chalisa that whoever chants it with full devotion to Hanuman, will have Hanuman's grace.
The conventions associated with the ashtakam have evolved over its literary history of more than 2500 years. One of the best known ashtakam writers was Adi Sankaracharya, who created an ashtakam cycle with a group of ashtakams, arranged to address a particular deity, and designed to be read both as a collection of fully realized individual poems and as a single poetic work comprising all the ...
Maruti Stotra or Hanuman Stotra is a 17th-century stotra, hymn of praise, composed in Marathi language by Samarth Ramdas saint-poet of Maharashtra. It is a compilation of praiseful verses that describe the many aspects and virtues of Hindu god Hanuman , also known as Maruti Nandan.
The Radhika Krishnashtaka is a hymn within the Swaminarayan Sampradaya. It is said that the reciter can get to Krishna via his consort Radha by chanting it. As it is composed of eight verses it is known as ashtak and is embedded into the Satsangi Jivan [1] The BAPS does not recite this but instead recite the Shri Swaminarayan Ashtakam.
The work is usually published along with Hanuman Chalisa. Hanuman Bahuka (हनुमान बाहुक), literally The Arm of Hanuman, is a Braja work of 44 verses believed to have been composed by Tulsidas when he suffered acute pain in his arms at an advanced age. Tulsidas describes the pain in his arms and also prays to Hanuman for ...
The Hanuman Sahasranama, is a Hanuman stotra told by Valmiki. Its origin is unknown, but it is often attributed to the deity Rama. [21] Tantrikas chant the Bhavani Nāma Sahasra Stuti and the Kali Sahasranāma. While the Vishnu and Shiva Sahasranāmas are popular amongst all Hindus, the Lalita Sahasranama is mostly chanted in South India.
The thought behind the composition in 'Bhakti mixed with Love', being a typical frame of devotion and dedication in the Bhakti movement.In the loved bhakti frame, the devotee falls in love with the almighty and to the devotee, all the attributes and actions of God appears sweet, as those appear to a lover.
The text is a chapter from the Rudrayamala Tantra, a Bhairava Agama. Bhairavi, the goddess, asks Bhairava to reveal the essence of the way to realization of the highest reality. In his answer Bhairava describes 112 ways to enter into the universal and transcendental state of consciousness.