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William Kent (c. 1685 – 12 April 1748) was an English architect, landscape architect, painter and furniture designer of the early 18th century. He began his career as a painter, and became Principal Painter in Ordinary or court painter , but his real talent was for design in various media.
Holkham Hall (/ ˈ h oʊ k ə m / or / ˈ h ɒ l k ə m / [1]) is an 18th-century country house near the village of Holkham, Norfolk, England, constructed in the Neo-Palladian style for the 1st Earl of Leicester (of the fifth creation of the title) [2] [3] by the architect William Kent, aided by Lord Burlington.
The garden was created mainly by the architect and landscape designer William Kent, and it is one of the earliest examples of the English landscape garden. After the death of the 3rd Earl of Burlington in 1753, and the subsequent deaths of his last surviving daughter ( Charlotte Boyle ) in 1754 and his widow in 1758, the property was ceded to ...
William Kent made a similar statement against Walpole for Lord Cobham. The original design by Kent for the end of the exedra was a stone 'Temple of Worthies' which was rejected by Burlington, but subsequently used by Cobham at Stowe). William Kent's cascade was inspired by Italian sources. It was both a waterfall and a symbolic grotto.
The 3rd Duke chose the fashionable architect William Kent, for whom this was a first commission for a London house. It was built between 1734 and about 1740. [4]
Pages in category "William Kent buildings" The following 7 pages are in this category, out of 7 total. This list may not reflect recent changes. B. Badminton House; D.
William Kent (1685–1748) was an architect, painter and furniture designer who introduced Palladian-style architecture to England. Kent's inspiration came from Palladio's buildings in the Veneto and the landscapes and ruins around Rome – he lived in Italy from 1709 to 1719, and brought back many drawings of antique architecture and ...
The ceilings were executed by William Kent in the ‘Grotesque’ style- a mode of painting found predominantly in subterranean Rome and popularised by the artist Raphael. This style, rare in Britain until reintroduced by William Kent at Kensington Palace, consisted of foliage forms interwoven with mythical creatures, such as cherubs or sphinxes.
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