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Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas.
Op art, short for optical art, is a style of visual art that uses optical illusions. [1] Op artworks are abstract, with many better-known pieces created in black and white. Typically, they give the viewer the impression of movement, hidden images, flashing and vibrating patterns, or swelling or warping.
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
Allen was also a talented printmaker. He consistently made graphics alongside his painting and drawing. These works included Silk Screen Op art graphics back in the 60s, the "Iconocross" series of black cross derived prints, brightly coloured silk screens and Geometric abstraction, and a small edition of "White Painting" Lithographs.
On White II: Musée National d'Art Moderne, Paris 105 x 98 1923 Composition VIII: Solomon R. Guggenheim Museum, New York 140 x 201 Oil on Canvas 1923 Circles in a Circle: Philadelphia Museum of Art 98.7 x 95.6 1923 Black and Violet: Private collection 77.8 x 100.4 1923 In the Black Square: Solomon R. Guggenheim Museum, New York 97.5 x 93.3 1924
As drawing techniques evolved, artists combined red chalk with other chalks, including white chalk. The use of white chalk allowed artists to enhance lighting effects in their drawings. However, since white chalk was barely visible on white paper or parchment, artists began to use a toned background to allow the technique to work effectively.
Adolph Friedrich Reinhardt (December 24, 1913 – August 30, 1967) was an abstract painter and Art theorist active in New York City for more than three decades. As a theorist he wrote and lectured extensively on art and was a major influence on conceptual art, minimal art and monochrome painting.
Painting Number 2 (1954), The Museum of Modern Art. Franz Kline (May 23, 1910 – May 13, 1962) was an American painter. He is associated with the Abstract Expressionist movement of the 1940s and 1950s.
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