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The Navajo people see a young girl's first menstruation as a time of joy and happiness. It is also the start of becoming a woman. It is imperative that this ceremony be done correctly because it sets the tone for the rest of her life. [3] It is also important that the ceremony involves family and community.
Her parents were Long Life Boy and Happiness Girl, who "represent the means by which all life passes through time." [3] She is associated with a young Navajo woman's entry into puberty, and the kinaalda, a four-day rite at that time. Changing Woman is celebrated in the Blessing Way, a Navajo prayer ceremony that brings fortune and long life. [3]
Similar to other Indigenous cultures, Navajo girls participate in a rite of passage ceremony that is a celebration of the transformation into womanhood. This event is marked with new experiences and roles within the community. Described as Kinaaldá, the ritual takes place over four days, during the individual's first or second menstrual period.
a. In the Navajo tribe, the Kinaalda ceremony marks the advent of womanhood for a girl when she experiences her first menstrual cycle. The ceremony lasts several days and is composed of several discrete rituals [7] b.
And far to the West, on Abalone Shell Mountain, lived Yoołgaii Asdzą́ą́ White Shell Girl, also a Nádleeh. With her was the big female reed, which grew at the water's edge with no tassel. Drawing by Sam Ahkeak of sandpainting of Dinétah, the Navajo Homeland created by ceremonial leaders near Shiprock around 1930.
In June, Navajo Nation Council Del. Seth Damon introduced legislation to repeal parts of a 2005 tribal law, the Diné Marriage Act, which outlawed same sex-marriages.
Kate Bernheimer's collection How a Mother Weaned Her Girl from Fairy Tales is an overt ode to the genre, but, at the same time, a revitalizing force that graces the messiness of girlhood with an ethereal air. "I do think it's something that attracts women who want to turn over and examine the stereotypes and the role of women," Sparks said.
Maud Van Cortlandt Oakes (1903–1990) was an ethnologist, artist and writer who published her research into the cultures of indigenous tribes in the Americas, including the Navajo of the American Southwest and the Mam of Guatemala. She is best known for her books recording these tribes' ceremonies, art and stories. [1]