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In the 17th century the Dutch were very interested in flowers and gardening, so paintings that highlighted the beauty of nature were highly valued. This helped to build and maintain Ruysch's clientele throughout her career. [7] In her lifetime her paintings were sold for prices as high as 750–1200 guilders.
Still Life Paintings from the Netherlands 1550–1720, (Dutch:Het Nederlandse Stilleven 1550–1720) is a 1999 art exhibition catalog published for a jointly held exhibition by the Rijksmuseum Amsterdam (19 June – 9 September 1999) and Cleveland Museum of Art (31 October 1999 – 9 January 2000).
This is a list of Dutch painters who were born and/or were primarily active in the Netherlands. For artists born and active in the Southern Netherlands , see the List of Flemish painters . The artists are sorted by century and then alphabetically by last name.
Van Huysum's work determined the "main trends in flower paintings for sixty to eighty years after his death." [14]Fruit and flower artists whose work is described as inspired by or analogous to that of Jan van Huysum: Jacob van Huysum (his brother), Justus van Huysum (his father), Pieter Faes, Wybrand Hendriks, Paul Theodore van Brussel, Jacobus Linthorst, Jan van Os, George Jacob Jan van Os ...
Despite the fact that her skillfully executed paintings of flowers were sought out by Dutch and other collectors, she was denied membership in the painters' guild, because women were not allowed to join. [1] Still Life with Flowers in a Decorative Vase, c. 1670–1675, Mauritshuis. Very few women were professional artists during the 1600s. [5]
He collected the works of flower artists, both by his contemporaries and the great 17th-century Dutch still life painters Jan Davidsz. de Heem, Abraham Mignon, Rachel Ruysch and Jan van Huysum. [ 3 ] Philippe-Jacques van Bree , Interior of the Studio of Van Dael and his students at the Sorbonne , 1816
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