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Print of Clio, made in the 16th–17th century. Preserved in the Ghent University Library. [2]The word Muses (Ancient Greek: Μοῦσαι, romanized: Moûsai) perhaps came from the o-grade of the Proto-Indo-European root *men-(the basic meaning of which is 'put in mind' in verb formations with transitive function and 'have in mind' in those with intransitive function), [3] or from root *men ...
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The nine muses were daughters of Zeus and Mnemosyne, and are more familiar in classical descriptions of the muses than the earlier four. This was largely adapted into the ancient Roman religion as well. According to Cicero's De Natura Deorum ("On the Nature of the Gods"), "As to the Muses, there were at first four—Thelxiope, Aœde, Arche, and ...
In Greek mythology, Terpsichore (/ t ər p ˈ s ɪ k ər iː /; Ancient Greek: Τερψιχόρη, "delight in dancing") is one of the nine Muses and goddess of dance and chorus. She lends her name to the word "terpsichorean", which means "of or relating to dance".
In Greek mythology, Mneme / ˈ n iː m iː / (Ancient Greek: Μνήμη, romanized: Mnḗmē) was one of the three original Boeotian muses, along with her sisters Aoede and Melete before Arche and Thelxinoë were identified, increasing the number to five. Later, the Nine Olympian Muses were named. Mneme was the muse of memory.
The term is derived from the Muses, ancient Greek goddesses of inspiration. Human muses are woven throughout history. In modern times, specific people are called muses; as a rule, these are close friends and sometimes lovers or spouses, who inspire or affect the works of an artist due to their disposition, charisma, wisdom, sophistication ...
In Greek mythology, Erato (/ ˈ ɛr ə t oʊ /; Ancient Greek: Ἐρατώ, Eratō; 'desired, lovely') was the name of the following individuals. Erato, one of the 50 Nereids, sea-nymph daughters of the 'Old Man of the Sea' Nereus and the Oceanid Doris. [1] Her name means 'the awakener of desire'. [2] Erato, one of the Greek Muses. [3]
Cha's use of nine muses is derived from Hesiod, who first used them. But Cha's employment is a subversive revision because of her "feminist intervention and patriarchal order." The catalogue of nine muses Cha examines with nine women characters, vary widely from "Greek goddesses to a Korean shamanistic matriarch and from historical figures to ...