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A Piece of PI for Solo Violin (2008) Ruggiero Ricci "Jeux interdits" Romance (arranged: from Anonimous) "Recuerdos de la Alhambra" for violin solo (transcription from: Francisco Tarrega) "La Cumparsita", Tango for solo violin (transcription from: Gerardo Matos Rodríguez / arranged by Vicente Zito / edited by Ricci) George Rochberg
Pages in category "Solo violin pieces" The following 15 pages are in this category, out of 15 total. This list may not reflect recent changes. ...
The Four Seasons, for Violin solo and string orchestra (pub. 2008) Rhapsody Concertante (on Hungarian and Rumanian themes) for Violin solo and string orchestra (pub. 2008) Poema de amor, for Violin solo and string orchestra (pub.2007) André Jolivet. Violin Concerto (1972)
12 sonatas for violin and basso continuo: 1709: 27, 31, 14, 20, 36, 1, 8, 23, 16, 21, 9, 32 3: L'estro armonico (The Harmonic Inspiration), 12 concertos for various combinations, of which the best known are No. 6 in A minor for violin, No. 8 in A minor for two violins and No. 10 in B minor for four violins: 1711
Kreisleriana, concert piece for violin and chamber orchestra (1993) (withdrawn) [5] Fantasie for Solo Clarinet (1993) 180 beats per minute for string sextet (1993) Études I-VI for violin solo (1995–2010) Fleurs du mal, a piano sonata (1996–97) Insel der Sirenen (Island of the Sirens) for solo violin and 19 strings (1997)
The pieces from the third listing are by far best known; opus lists 1 and 2 are early works. The year of composition and instrumentation (including voice) are included. See the main article on Béla Bartók for more details.
Sonate da camera [10], for solo violin, Op. 2 (Modena, c.1694) Francesco Maria Veracini. 12 Sonatas for recorder or violin solo and basso (no opus number, dedicated to Prince Friedrich August, before 1716, unpublished in the composer's lifetime) 12 Sonatas for violin solo and basso, Op. 1 (dedicated to Prince Friedrich August, 1721)
The Sei Solo a Violino senza Basso accompagnato (Six Solos for Violin Without Bass Accompaniment), as Bach titled them, firmly established the technical capability of the violin as a solo instrument. The pieces often served as archetypes for solo violin pieces by later generations of composers, including Eugène Ysaÿe and Béla Bartók.