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It has inspired songs such as Rob Paravonian's "Pachelbel Rant" and the Axis of Awesome's "Four Chords", which comment on the number of popular songs borrowing the same tune or harmonic structure. [ 1 ] [ 2 ] "Four Chords" does not directly focus on the chords from Pachelbel's Canon, instead focusing on the I–V–vi–IV progression.
Following is a list of popular music songs which feature a chord progression commonly known as Andalusian cadences. Items in the list are sorted alphabetically by the band or artist 's name. Songs which are familiar to listeners through more than one version (by different artists) are mentioned by the earliest version known to contain ...
Coltrane changes in C: I–V/ ♭ VI ♭ VI–V/III III–V I. 6: Major Eight-bar blues: I–V–IV–IV–I–V–I–V: 3: Major Folia: i–V–i– ♭ VII– ♭ III– ♭ VII–i–V–i–V–i– ♭ VII– ♭ III– ♭ VII–i–V–i: 4: Minor Irregular resolution (Type I: Two common tones, two note moves by half step motion) V7 ...
Palos of flamenco. The Andalusian cadence (diatonic phrygian tetrachord) is a term adopted from flamenco music for a chord progression comprising four chords descending stepwise – a iv–III–II–I progression with respect to the Phrygian mode or i–VII–VI–V progression with respect to the Aeolian mode (minor). [1]
"Could add "(also known as the Canon in D)" to the first sentence. I think it's necessary to mention the piece's other name. Is this the best title for the page? Would "List of songs based on Pachelbel's Canon" be a better title? Variations implies a stronger connection to the original composition than merely being inspired by the original ...
The Trans-Siberian Orchestra's 1998 song "Christmas Canon" is a "take" on Pachelbel's Canon. [31] JerryC's version, titled "Canon Rock", was one of the earliest viral videos on YouTube when it was covered by Funtwo. [32] "Sunday Morning" on Procol Harum's 2017 album Novum is based on just the chords of the canon. [33]
In spite of the song's title, it is not a blues but rather a folk song that uses the same chord pattern as Pachelbel's Canon. [1] Dylan scholar and musicologist Eyolf Ostrem notes that "[m]usically, it is a close cousin of "'Cross the Green Mountain" with which it shares the ever-descending bass line and some of the chord shadings that never manage to decide whether they're major or minor (and ...
[3] [4] Author Gareth Heritage identifies the introductory guitar motif in "Goodbye to Romance" as "closely [resembling] the first motivic development" of Pachelbel's Canon, and points to the similarities between "the stepwise melodic contour and accompanying bass countermelody" in both compositions. [9]