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Adam sang the song at the 1977 National Women's Conference in Houston, and it became a feminist as well as a gay anthem promoting LGBT rights in the United States. [18] 1980: Dolly Parton "9 to 5" 9 to 5 and Odd Jobs: Created for the playful-but-anti-patriarchal comedy film 9 to 5, the song was picked up as an anthem for women working in the ...
The song is characterised by an E flat groove in the drum and bass guitar and riff in the horn section. [7] Between the drum loop, the looped horns, and the conversational improvisational "freestyle" flow of the lyrics and the chanting chorus, the song has many elements later found in hip hop in the mid 1980s and 1990s.
Canntaireachd (Scottish Gaelic for 'chanting'; pronounced [ˈkʰãũn̪ˠt̪ɛɾʲəxk]) is the ancient method of teaching, learning and memorizing Piobaireachd (also spelt Pibroch), a type of music primarily played on the Great Highland bagpipe.
Abigail Barlow and Emily Bear stepped in where Lin-Manuel Miranda left off and crafted music "Beyond" expectations for the Disney sequel "Moana 2."
The song opens with production consisting of strings [4] [5] and piano, [6] as Chappell Roan reflects on an ex-partner who could not satisfy her. [ 6 ] [ 5 ] [ 7 ] Before each chorus, she gradually increases the melodrama in tone and demands for a song to be played "with a fucking beat".
The campaign aims to discourage the use of Singlish and encourage the use of a more standardised form of English, (i.e. generally modelled on the British standard). ). According to the movement's chairman, then Colonel (NS) David Wong, [8] the Speak Good English Movement aims to build a sense of pride that Singaporeans can speak good English, as opposed to Singlish, as well as to check the ...
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