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The Blue Lotus (French: Le Lotus bleu) is the fifth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé.Commissioned by the conservative Belgian newspaper Le Vingtième Siècle for its children's supplement Le Petit Vingtième, it was serialised weekly from August 1934 to October 1935 before being published in a collected volume by Casterman in 1936.
In the sequel The Blue Lotus, the fakir escapes from prison and again uses his darts to poison a Chinese man sent to warn Tintin against Mitsuhirato, another leader of the drug smugglers. In that title's original black-and-white version, the fakir can be seen escaping through the forest with his blowpipe after shooting the dart at the Chinese man.
Chang Chong-Chen (French: Tchang Tchong-Jen) is a fictional character in The Adventures of Tintin, the comics series by Belgian cartoonist Hergé.Although Chang and Tintin only know each other for a short time, they form a deep bond which drives them to tears when they separate or are re-united.
Blue lotus may refer to: Nymphaea nouchali var. caerulea , a water lily in the genus Nymphaea that was known to the Ancient Egyptian civilizations Nymphaea nouchali , a water lily of genus Nymphaea that is native to southern and eastern parts of Asia, containing the sedating alkaloids apomorphine and nuciferine
At the villa, they meet a number of acquaintances, the corrupt industrialists W.R. Gibbons (from The Blue Lotus) and R.W. Trickler (from The Broken Ear), Emir Ben Kalish Ezab (from Land of Black Gold), Luigi Randazzo (a singer), and Ramó Nash. Tintin and Haddock stay the night at the villa on Castafiore's insistence.
The Crab with the Golden Claws (French: Le Crabe aux pinces d'or) is the ninth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé.The story was serialised weekly in Le Soir Jeunesse, the children's supplement to Le Soir, Belgium's leading francophone newspaper, from October 1940 to October 1941 amidst the German occupation of Belgium during World War II.
Robbie Basho's finger-picked guitar technique was influenced heavily by sarod playing, and his studies with the Indian virtuoso Ali Akbar Khan.Basho used unusual open tunings, including a number of variants on "open-C" (CGCGCE), and played a 12-string guitar to recreate the drone that is characteristic of Indian classical music.
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