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Rigoletto is an opera in three acts [a] by Giuseppe Verdi.The Italian libretto was written by Francesco Maria Piave based on the 1832 play Le roi s'amuse by Victor Hugo.Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851.
"Bella figlia dell'amore" ("Beautiful daughter of love") is a vocal quartet from the last act of Giuseppe Verdi's 1851 opera Rigoletto.. It has been described as a "masterful quartet that is an intricate musical depiction of four personalities and their overlapping agendas", [1] and has been performed and recorded by many notable artists.
The original stage productions were supported by the Gramma Fisher Foundation of Marshalltown, Iowa, with supplementary help from Mr and Mrs Paul M. Montrone for Rigoletto, from Mrs John D. Rockefeller for Otello and from Mrs Donald D. Harrington for Die Fledermaus. The revival of Rigoletto was supported by
La donna è mobile" (pronounced [la ˈdɔnna ˌɛ mˈmɔːbile]; "Woman is fickle") is the Duke of Mantua's canzone from the beginning of act 3 of Giuseppe Verdi's opera Rigoletto (1851). The canzone is famous as a showcase for tenors.
Un dì, felice, eterea" ("One day, happy, ethereal") is a duet from the first act of Giuseppe Verdi's 1853 opera La traviata. It is sung by the male and female protagonists of the opera, Alfredo (a tenor) and Violetta (a soprano). The main melody of the duet, which is very famous in its own right, is also an important musical theme throughout ...
In later parlance, cabaletta came to refer to the fast final part of any operatic vocal ensemble, usually a duet, rather than just a solo aria. For example, the duet between Gilda and Rigoletto in Act 1, Scene 2 of Rigoletto ends with a relatively slow cabaletta, whereas the cabaletta for their duet in the finale of Act 2 is quite rousing.
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"Caro nome che il mio cor" (Sweet name that made my heart), or "Caro nome" for short, is an aria for coloratura soprano from act 1 of Verdi's opera Rigoletto. It is part of the standard Italian soprano vocal repertoire, [ 1 ] featured in numerous anthologies for soprano singers and in albums of highlights from the opera.