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Giuseppe Verdi. The following is a list of published compositions by the composer Giuseppe Verdi (1813–1901).. The list includes original creations as well as reworkings of the operas (some of which are translations, for example into French or from French into Italian) or subsequent versions of completed operas.
Two Lieder, for mixed choir, celesta, guitar, violin, clarinet and bass clarinet, op. 19 (1926) String Trio, op. 20 (1927) Symphony, op. 21 (1928) Quartet for violin, clarinet, tenor saxophone and piano, op. 22 (1930) Three Songs on Hildegard Jone's Viae inviae, for voice and piano, op. 23 (1934)
Violin Sonata in A minor, Op. 7 (published 1887) (Not mentioned in the list of works linked to in the article but recorded on Troubadisc [20] and noted in published articles- Dale's in Oct. 1949 Music & Letters.) Louis Spohr. Sonata for Violin and Harp in B-flat major, Op. 16; Sonata for Violin and Harp in E-flat major, Op. 113
Capriccio Concertante for clarinet, string quartet, bass, and harp (2017) Julian Cochran. Artemis for violin, cor anglais and harp; Gilad Cohen. Trio for a Spry Clarinet, Weeping Cello and Ruminating Harp (2010) [15] Firefly Elegy for clarinet, violin, viola, cello, and harp (2017) [16] Francois Couture. La suite foraine for Flute, viola and ...
The Clarinet of the Twenty-First Century. [Fairport, New York]: E + K Publishers. Riley, Charles A. 1996. Color Codes: Modern Theories of Color in Philosophy, Painting and Architecture, Literature, Music and Psychology. UPNE. ISBN 978-0-87451-742-2. Roig-Francolí, Miguel A. 1995. "Harmonic and Formal Processes in Ligeti's Net-Structure ...
An example of a clarinet–viola–piano trio existed several hundred years before the clarinet–violin–piano trio; Mozart composed the Kegelstatt Trio in the 18th century, and the Romantic composer Max Bruch composed a suite of eight pieces for this combination, as well as a double concerto for viola, clarinet, and orchestra. Many of these ...
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From 1914, the composer, encouraged by the music publisher Jacques Durand, intended to write a set of six sonatas for various instruments, in homage to the French composers of the 18th century. The effects of the First World War and an interest in baroque composers Couperin and Rameau inspired Debussy as he was writing the sonatas.
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