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Waltz for Debby is a live album by jazz pianist and composer Bill Evans and his trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian. It was released in 1962. It was released in 1962.
The Complete Village Vanguard Recordings, 1961, a three-CD box set released in 2005, marks the first time the entire Bill Evans Trio's complete sets at the Village Vanguard on June 25, 1961, have been released in their entirety (outside of the 12-disc set containing Evans' complete Riverside recordings).
"Waltz for Debby" is a jazz standard composed by pianist Bill Evans, which became "his most famous tune." [1] He first recorded it as a brief solo piano piece on his debut album, New Jazz Conceptions (1956). Lyrics were added about six years later by Evans's friend Gene Lees. [2] "Debby" in the composition's title refers to Evans's then 3-year ...
Waltz for Debby: Live - Trio with Scott LaFaro (b), Paul Motian (d) Riverside 1961–62 Nirvana: Herbie Mann (flute) and Bill Evans Trio with Chuck Israels (b), Paul Motian (d) Atlantic: 1962 Undercurrent: Duo with Jim Hall (guitar) United Artists 1962 Moon Beams: Trio with Chuck Israels (b), Paul Motian (d) Riverside 1962 How My Heart Sings!
Waltz for Debby is a 1964 album in English and Swedish by the trio of American jazz pianist Bill Evans and the Swedish singer Monica Zetterlund.Evans met her on a tour of Sweden and was "bowled over" by her EP recording of "Waltz for Debby" with a Swedish text titled "Monicas Vals."
Waltz for Debby is the name of: "Waltz for Debby" (song), a 1956 jazz composition by Bill Evans later made into a song; Waltz for Debby, album by Bill Evans; Waltz for Debby, album by Monica Zetterlund and Bill Evans
Evans played three extremely brief solos: Duke Ellington's "I Got It Bad and That Ain't Good," Richard Rodgers's "My Romance," which would remain an integral part of Evans's repertoire and be recorded by him many times in trio settings, and the original version of his own most widely recognized and recorded composition, "Waltz for Debby." [4]
William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who worked primarily as the leader of his trio. [2] His use of impressionist harmony, block chords, innovative chord voicings, and trademark rhythmically independent "singing" melodic lines continue to influence jazz pianists today.
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