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Piano accordion; Classification: Free-reed aerophone: Playing range; Right-hand manual: F3 to A6 (scientific pitch notation) is the written range for the right-hand manual of a standard 120-bass/41-key piano accordion, three octaves plus a major third. Actual range sounds one octave lower and one octave higher (F2-A7) depending on stops chosen.
Although rarely seen, some early swing band scores have the piano part marked "Piano/Piano Accordion." It is a traditional instrument in Brazilian music, specifically baião of the northeast. Luiz Gonzaga is called the king of baião. [citation needed] The accordion is featured heavily in traditional Egyptian music, particularly baladi styles.
Luttbeg double-keyboard piano accordions have a piano keyboard layout on both the treble and bass sides. This allows pianists, most notably Duke Ellington, to double up on the accordion without difficulty. The Bercandeon is an improved version of that instrument, also making it a "keyboard bandoneon".
Accordions (including piano accordions and button accordions) typically have right-hand buttons or keys that play single notes (melody) and left hand buttons that play chords and bass notes. The bandoneon is a type of concertina particularly popular in South America and Lithuania, frequently featuring in tango ensembles.
This is a list of articles describing popular music acts that incorporate the accordion. The accordion appeared in popular music from the 1900s-1960s. This half century is often called the "Golden Age of the Accordion." Three players: Pietro Frosini, and the two brothers Count Guido Deiro and Pietro Deiro were major influences at this time.
This system is popular in Asian piano accordions, especially in Azeri garmon. A hybrid Chromatic/Stradella system known as the Moschino free-bass system is available. The system arranges the left-hand buttons so chromatic arrangement of keys, adjoining Circle-of-Fifths, chord inversions, and alternate chord voicings are available to the player ...
The first written notice about the existence of such instruments are from the 1854 Industrial Exhibition in Munich.The Vienna accordion builder Matthäus Bauer was mentioned as one who showed instruments with piano keyboards, and one with a "3 row machine and accidentals", mentioned in combination with the piano accordion.
This page was last edited on 16 February 2023, at 12:22 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
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