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A piano accordion is an accordion equipped with a right-hand keyboard similar to a piano or organ. Its acoustic mechanism is more that of an organ than a piano, as they are both aerophones, but the term "piano accordion"—coined by Guido Deiro in 1910 [1] —has remained the popular name. It may be equipped with any of the available systems ...
This is a list of articles describing popular music acts that incorporate the accordion. The accordion appeared in popular music from the 1900s-1960s. This half century is often called the "Golden Age of the Accordion." Three players: Pietro Frosini, and the two brothers Count Guido Deiro and Pietro Deiro were major influences at this time.
See the list of traditional music styles that incorporate the accordion. Although rarely seen, some early swing band scores have the piano part marked "Piano/Piano Accordion." It is a traditional instrument in Brazilian music, specifically baião of the northeast. Luiz Gonzaga is called the king of baião. [citation needed]
This is a list of articles describing traditional music styles that incorporate the accordion, alphabetized by assumed region of origin.. Note that immigration has affected many styles: e.g. for the South American styles of traditional music, German and Czech immigrants arrived with accordions (usually button boxes) and the new instruments were incorporated into the local traditional music.
The accordion in both button and piano forms became a favorite of folk musicians [35] and has been integrated into traditional music styles all over the world: see the list of music styles that incorporate the accordion.
Accordions (including piano accordions and button accordions) typically have right-hand buttons or keys that play single notes (melody) and left hand buttons that play chords and bass notes. The bandoneon is a type of concertina particularly popular in South America and Lithuania, frequently featuring in tango ensembles.
American Rhapsody was written for the accordion by John Serry Sr. in 1955 [1] and subsequently transcribed for the free-bass accordion in 1963 and for the piano in 2002. The composer was inspired by the classical orchestral works of George Gershwin along with various Latin jazz percussive rhythms utilized throughout South America while composing this opus (see Rhapsody in Blue).
The Slovenian style polka band always includes a piano accordion, chromatic accordion, or the Diatonic button accordion (also called a "button box"). Sometimes an accordion called the Half Chromatic, often abbreviated half-chrom, is used.
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