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"The Seven Last Words on the Cross and the Death of our Lord" . A Practical Commentary on Holy Scripture. B. Herder. Long, Simon Peter (1966). The Wounded Word: A Brief Meditation on the Seven Sayings of Christ on the Cross. Baker Books. Pink, Arthur (2005). The Seven Sayings of the Saviour on the Cross. Baker Books. ISBN 0-8010-6573-9.
Die sieben Worte Jesu Christi am Kreuz (The seven words of Jesus Christ on the Cross), SWV 478, is a German-language musical setting of the seven sayings of Jesus on the cross by Heinrich Schütz. It was written in Weissenfels around 1645 and revised in 1657.
Daan Manneke: The Seven Last Words Oratorio for chamber choir (2011) Paul Carr: Seven Last Words from the Cross for soloist, choir and orchestra (2013) [9] Juan Jurado: Seven Words (2013) for mixed choir and four cellos. Rotting Christ: Ze Nigmar (2016) Richard Burchard: The Seven Last Words of Christ for choir, strings, and organ (2016) [10]
Les Sept Paroles du Christ sur la Croix (The seven words of Christ on the Cross) is a musical setting of sayings of Jesus on the cross by César Franck, composed in 1859. The work was never performed during Franck's lifetime and was only discovered in 1955, when the University of Liège acquired an autograph score from a private owner.
Dive into Mary Shelley's masterpiece with our 50 quotes from her classic novel. Skip to main content. 24/7 Help. For premium support please call: 800-290-4726 more ways ...
The seven meditations on the Last Words are excerpted from all four gospels. The "Earthquake" movement derives from Matthew 27:51ff. Much of the work is consolatory, but the "Earthquake" brings a contrasting element of supernatural intervention—the orchestra is asked to play presto e con tutta la forza—and closes with the only fortississimo (triple forte) in the piece.
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As the Stations of the Cross are prayed during the season of Lent in Catholic churches, each station is traditionally followed by a verse of the Stabat Mater, composed in the 13th century by Franciscan Jacopone da Todi. James Matthew Wilson's poetic sequence, The Stations of the Cross, is written in the same meter as da Todi's poem. [37]