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Maṅgala Aṣṭaka is a form of Mantra which is sung at the marriage ceremony in Maharashtra. It always starts with the Aṣṭavināyaka Vandana, which is as follows: Svasti Śrī Gaṇanāyakam Gajāmukham Moreśvara Siddhidam Ballalam Murudum Vināyaka Maham Cintamanim Thevaram | Lenyadrim Girijātmājam Suvaradam
Mangala sutras are made in a variety of designs. The common ones are the Lakshmi tali worn by the Telugus of Telangana and Andhra Pradesh, which contain images of Lakshmi, the goddess of auspiciousness, ela tali or minnu worn by the Malayalees of Kerala, and the Kumbha tali worn by the Tamils of the Kshatriya caste in Tamil Nadu. The design is ...
Through these mantras, the wife prays for long life for her husband and for a marriage filled with peace and harmony. At the end of the laaja homam, the husband unties the darbha belt around the waist of his wife with another mantra. The husband states through this mantra that he unites his wife and ties her now with the bonds of Varuna and ...
This is the beginning of the marriage process. Traditionally, the parents and grandparents of the Indian Hindu bride search for a suitable alliance from their own community. On finding a prospective groom, the bride's parents invite the groom and his parents for an initial face-to-face interaction. This match-making is known as Pelli Choopulu.
In Odia marriage rituals, the mother of the bridegroom does not take part in the ceremony. The Utkala Brahmins have their weddings only in the daytime, preferably at midday or in the morning, while the other caste weddings are done during the evening or night. There is the custom of sending betel nuts to family friends for inviting them to the ...
In one of the rituals of a Hindu marriage, the groom shows the bride the double stars of Vasishtha and Arundhati as an ideal couple, symbolic of marital fulfilment and loyalty. The couples are asked to look up to the constellation symbolizing conjugal love and affection.
Kanyadana (Sanskrit: कन्यादान, romanized: Kanyādāna) is a Hindu wedding ritual. [1] One possible origin of this tradition can be traced to 15th century stone inscriptions found in the Vijayanagara Empire in South India. [2]
Tara is the queen consort of Kishkindha and wife of the vanara-king Vali.After being widowed, she maintains her title after marrying Sugriva, Vali's brother.Tara is described as the daughter of the vanara physician, Sushena, in the Ramayana; in later sources, she is stated to be an apsara (celestial nymph) who emerged from the Samudra Manthana (churning of the ocean).
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