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"The Simpsons Theme", also referred to as "The Simpsons Main Title Theme" in album releases, is the theme music of the animated television series The Simpsons. It plays during the opening sequence and was composed by Danny Elfman in 1989, after series creator Matt Groening approached him requesting a theme.
"All Singing, All Dancing" is the eleventh episode of the ninth season of the American animated television series The Simpsons. It originally aired on Fox in the United States on January 4, 1998. In the fourth Simpsons clip show, Homer claims he hates singing, so Marge shows family videos of
The song commonly rates very highly on reviewers' rankings of the best Simpsons songs. [ 5 ] [ 4 ] [ 6 ] In 1997 it was released as part of the Simpsons soundtrack album Songs in the Key of Springfield .
The Simpsons. Song: "The Simpsons Theme" by Danny Elfman. The Emmy Award-winning show is still going strong after three decades, and the fact that this instrumental hasn’t changed once says ...
The season 28 episode "Monty Burns' Fleeing Circus", which aired on September 25, 2016, features a couch gag that is a parody of the Adventure Time opening, called "Simpsons Time", recreated with characters from The Simpsons. The song for this opening is sung by Pendleton Ward, who sung the theme song for Adventure Time, and also created the show.
This is a parody of the Sgt. Pepper's Lonely Hearts Club Band LP reverse, in which Paul McCartney is in the same pose. [6] Homer meets George Harrison at the Grammy party. Barney's Japanese conceptual artist girlfriend is a parody of Yoko Ono. [2] Their song repeats the phrase "Number 8" and a burp by Barney, a reference to the Beatles ...
The episode begins in medias res, in which Bart Simpson appears to be mannerly. Bart breaks the fourth wall by offering to tell the show's audience why he has changed. Two months earlier at Grandparents' Day, Bart changes the lyrics of a song for the grandparents visiting, and Principal Skinner takes him to detention, and also punishes Grampa for trying to intervene.
The song at the end of the show, written by Ken Keeler, is a parody of various Bond themes. Keeler originally wrote it to be three seconds longer and sound more like the Goldfinger theme, but the final version was shorter and the lyrics were sped up. [ 6 ]