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Cameron showed an interest in photography in the late 1850s and there are indications that she experimented with making photographs in the early 1860s. [1] [13] Around 1863, her daughter and son-in-law gave her a sliding-box camera for Christmas. [4] The gift was meant to provide a diversion while her husband was in Ceylon. [13]
Uta Barth (born 1958) [1] is a contemporary German-American photographer whose work addresses themes such as perception, optical illusion and non-place. Her early work emerged in the late 1980s and 1990s, "inverting the notion of background and foreground" [2] in photography and bringing awareness to a viewer's attention to visual information with in the photographic frame.
Gaskell stages all of her scenes, using the style of "narrative photography," wherein each scene exists only to be photographed.Gaskell pioneers a new discourse of contemporary photography where within each of her series, the narrative of her photographs is disrupted, "its fragments functioning like film stills excised from their context but suggesting a missing whole."
Carrie Mae Weems (born April 20, 1953) is an American artist working in text, fabric, audio, digital images and installation video, and is best known for her photography. [1] [2] She achieved prominence through her early 1990s photographic project The Kitchen Table Series.
Dorothea Lange (born Dorothea Margaretta Nutzhorn; May 26, 1895 – October 11, 1965) was an American documentary photographer and photojournalist, best known for her Depression-era work for the Farm Security Administration (FSA).
Clarence Hudson White (April 8, 1871 – July 8, 1925) was an American photographer, teacher and a founding member of the Photo-Secession movement. He grew up in small towns in Ohio, where his primary influences were his family and the social life of rural America.
He had his hair dyed pink which helped him get noticed as a photographer [9] and took inspiration from British celebrity fashion photographer Cecil Beaton. [11] London was a city that allowed him to flourish expressively without the restrictions he felt were imposed on him in Peru. [7] His work first appeared in Vogue in 1983. [12]
Corey Arnold (born March 25, 1976) is an American fine art, documentary, and commercial photographer and commercial fisherman, based in Portland, Oregon.His work explores man's relationship with the natural world, animals, and environmental issues with a primary focus on the Alaskan wilderness.