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Robert Rutledge (June 3, 1948 – October 15, 2001) was an American sound editor who won Best Sound Editing at the 1985 Academy Awards. He won for Back to the Future, which was shared with Charles L. Campbell. [1] At the 32nd British Academy Film Awards, he won a BAFTA Award for Best Soundtrack for the film Star Wars.
Year Film Winners/Nominees 1998 Best Sound Editing – Direct to Video – Sound Young Hercules: Mathew Waters (supervising sound editor); Tim Boggs (supervising ADR editor); Dorian Cheah, Lisle Engle, George Haddad, Michael Mullane, Kelly Vandever (sound effects editors); Tony Suraci (Foley editor); Louis Creveling, Jason George, Danielle Ghent, Robert Jackson (dialogue editors)
Al Nelson (supervising sound editor/sound designer); James Mather, Bjørn Ole Schroeder (supervising sound editors); Benjamin A. Burtt, Scott Guitteau, Jed Loughran, Rowan Watson, Qianbaihui Yang (sound effects editor); Luke Dunn Gielmuda (supervising Foley editor); Dmitri Makarov, David Mackie (Foley editors); Jana Vance, Ronni Brown, John ...
On June 9, 2000, Liberty Media Group acquired the post production and sound business of Soundelux Entertainment Group for $90M cash, a deal to replace one agreed to in July 1999 for stock then valued at $200M.
The Primetime Emmy Award for Outstanding Sound Editing for a Limited or Anthology Series, Movie or Special is an annual award presented as part of the Creative Arts Emmy Awards. Prior to 1976 and between 1979 and 1983, limited series and movies competed for Outstanding Achievement in Film Sound Editing .
The Primetime Emmy Award for Outstanding Outstanding Sound Editing for a Nonfiction or Reality Program is awarded to one television documentary, nonfiction or reality series each year. In the following list, the first titles listed in gold are the winners; those not in gold are nominees, which are listed in alphabetical order.
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The Primetime Emmy Award for Sound Editing for a Comedy or Drama Series (One-Hour) is an award handed out annually at the Creative Arts Emmy Awards. Prior to 1976 and between 1979 and 1983, regular series competed with limited series and movies for Outstanding Achievement in Film Sound Editing.