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The role of music in Korean shamanism seems intermediary between the possession trance model and the Siberian model: in the Kut ritual, the music, played by musicians, first calls on the god to possess the mudang (shaman), then accompanies the god during their time in the shaman's body, then sends back and placates the god at the end. [26]
Shamanism in various cultures shows great diversity. [1] In some cultures, shamanic music may intentionally mimic natural sounds, sometimes with onomatopoeia. [2] Imitation of natural sounds may also serve other functions not necessarily related to shamanism, such as luring in the hunt; [3] and entertainment (katajjaqs of the Inuit).
Shamanistic practice and beliefs have been recorded at several parts of this vast area crosscutting continental borders. [68] [69] The term "shamanism" can cover multiple characteristics of various different cultures. [70] Mediation is regarded often as an important aspect of shamanism in general. [71]
Amazonian shaman. Icaro is most commonly used to describe the medicine songs used by shamans in healing ceremonies, such as with the psychedelic brew ayahuasca. Traditionally, these songs can be performed by whistling, singing with the voice or vocables, or playing an instrument such as the didgeridoo or flute.
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Musok eumak (Korean: 무속 음악; Hanja: 巫俗音樂) or muak (무악; 巫樂) is the traditional Korean shamanistic music performed at and during a shamanistic ritual, the gut. Music performances consist of singing, dancing, and percussion music. [1] [2] It is not performed solely for spiritual rites, but also allows experiencing the ...
Religious music (also sacred music) is a type of music that is performed or composed for religious use or through religious influence. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as ritual. Religious songs have been described as a source of strength, as well as a means of easing pain, improving ...
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