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As the chords of a 12-bar blues follow a form, so does the melodic line. The melodic line might just be the melody of the piece or it might also include lyrics. The melody and lyrics frequently follow an AA'B form, meaning one phrase is played then repeated (perhaps with a slight alteration), then something new is played. [14]
In rock and blues, musicians also often refer to chord progressions using Roman numerals, as this facilitates transposing a song to a new key. For example, rock and blues musicians often think of the 12-bar blues as consisting of I, IV, and V chords. Thus, a simple version of the 12-bar blues might be expressed as I–I–I–I, IV–IV–I–I ...
The Blues for Alice changes, Bird changes, Bird Blues, or New York Blues changes, is a chord progression, often named after Charlie Parker ("Bird"), which is a variation of the twelve-bar blues. The progression uses a series of sequential ii–V or secondary ii–V progressions, and has been used in pieces such as Parker's "Blues for Alice".
The blues' 12-bar structure and the blues scale was a major influence on rock and roll music. Rock and roll has been called "blues with a backbeat"; Carl Perkins called rockabilly "blues with a country beat". Rockabillies were also said to be 12-bar blues played with a bluegrass beat.
Download as PDF; Printable version ... The sixteen-bar blues can be a variation on the standard ... and tonic chords (bars 9, 10, and 11–12, respectively ...
At its most basic, a single version of this blues scale is commonly used over all changes (or chords) in a twelve-bar blues progression. [7] Likewise, in contemporary jazz theory, its use is commonly based upon the key rather than the individual chord. [2] Greenblatt defines two blues scales, the major and the minor.
12 Bar Blues's sound and style differ greatly from STP's previous releases. The design concept of the cover is a homage to the cover design of John Coltrane's Blue Train album. The album title comes from the simple chord progression known as "twelve-bar blues".
"Road Runner" is a 12-bar blues song performed by American rock and roll performer Bo Diddley, originally released as a single by Checker Records in January 1960, [1] and later released on the LP record Bo Diddley in the Spotlight. The song reached #20 on Billboard magazine's Hot R&B Sides chart, [3] and #75 on the Hot 100. [4]