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The Tolkien translator and author Stéphanie Loubechine describes the opposing roles of the beneficial birch and the malign willow in Tolkien's tree symbolism, on the view that plants are not simply a green backdrop but consistently carry meaning. [10] Curry comments that Tolkien's trees are never just symbols, also being individuals in the ...
Tolkien's drawing of ranalinque, the Quenya name for his invented "moon-grass", in a style reminiscent of Art Nouveau.He professed himself fascinated by plant forms. [1]The plants in Middle-earth, the fictional continent in the world devised by J. R. R. Tolkien, are a mixture of real plant species with fictional ones.
In J. R. R. Tolkien's legendarium, the Two Trees of Valinor are Telperion and Laurelin, the Silver Tree and the Gold Tree, which bring light to Valinor, a paradisiacal realm where angelic beings live. The Two Trees are of enormous stature, and exude dew that is a pure and magical light in liquid form.
Shippey writes that Tolkien's Middle-earth writings embody the ancient Christian debate on the nature of evil. Shippey notes Elrond 's Boethian statement that "nothing is evil in the beginning. Even [the Dark Lord] Sauron was not so", [ T 17 ] in other words all things were created good; but this is set alongside the Manichean view that good ...
Tolkien makes use of forests across Middle-earth, from the Trollshaws and Mirkwood in The Hobbit, reappearing in The Lord of the Rings, to the Old Forest, Lothlórien, Fangorn, and the Mediterranean forest in Ithilien, all of which feature in chapters of The Lord of the Rings, and the great forests of Beleriand, a region of the west of Middle-earth, lost at the end of the First Age, and ...
Milburn states that Tolkien's "Leaf by Niggle" is just such a text, because Niggle's allegorical "journey" signifies death, the "Workhouse" signifies purgatory, and the place Niggle reaches after that is the Earthly Paradise, the place for Tolkien as for Dante of final purification before heaven, Niggle's "mountains". [5]
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Tolkien meant Arda to be "our own green and solid Earth", seen here in the Baltistan mountains, "at some quite remote epoch in the past". [1]In J. R. R. Tolkien's legendarium, the history of Arda, also called the history of Middle-earth, [a] began when the Ainur entered Arda, following the creation events in the Ainulindalë and long ages of labour throughout Eä, the fictional universe.