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During his life, Seneca (4–5 B.C.E.–65 C.E.) was famous for his writings on Stoic philosophy and rhetoric and became "one of the most influential men in Rome" when his student, Nero, was named emperor in 54 C.E. [5] Phaedra is thought to be one of Seneca's earlier works, most likely written before 54 C.E. [3] Historians generally agree that ...
Some important figures in Seneca mythology are: Eagentci (Awëha:'i—Fertile Earth [2]), whose name translates as "ancient-bodied one", is the Earth-mother, or First Mother. Her Huron name is Atahensic. Djieien was a man-sized spider who survived most attacks because its heart was buried underground. He appears in the tale "Hagowanen and ...
Oedipus is a fabula crepidata (Roman tragic play with Greek subject) of c. 1061 lines of verse that was written by Lucius Annaeus Seneca at some time during the 1st century AD. It is a retelling of the story of Oedipus , which is better known through the play Oedipus Rex by the Athenian playwright, Sophocles .
In Greek mythology, the Ceryneian hind (Ancient Greek: Κερυνῖτις ἔλαφος Kerynitis elaphos, Latin: Elaphus Cerynitis), was a creature that lived in Ceryneia, [1] Greece and took the form of an enormous female deer, larger than a bull, [1] with golden antlers [2] like a stag, [3] hooves of bronze or brass, [4] and a "dappled hide", [5] that "excelled in swiftness of foot", [6 ...
Small gold ornaments would be sewn onto their clothing and would glitter as they moved. [3] Common designs on jewelry in ancient Greece included plants, animals and figures from Greek mythology. [4] Gold and silver were the most common mediums for jewelry. [91]
Medea is a fabula crepidata (Roman tragedy with Greek subject) of about 1027 lines of verse written by Seneca the Younger. It is generally considered to be the strongest of his earlier plays. [1] It was written around 50 CE. The play is about the vengeance of Medea against her betraying husband Jason and King Creon.
In keeping with Seneca's philosophical background, his tragedies focus on ethical and moral problems, as opposed to the emotional and dramatic tensions that inspired other tragedians. [5] Like the Greek dramatists, Seneca based his tragedies on different Greek myths (such as Medea or Agamemnon).
The victorious Greeks have gathered the rich spoils of Troy upon the shore, among these the Trojan women who await their lot to be assigned to their Greek lords and taken to the cities of their foes. But now the ghost of Achilles has risen from the tomb, and demanded that Polyxena be sacrificed to him before the Greeks shall be allowed to sail ...