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The Panchatantra (IAST: Pañcatantra, ISO: Pañcatantra, Sanskrit: पञ्चतन्त्र, "Five Treatises") is an ancient Indian collection of interrelated animal fables in Sanskrit verse and prose, arranged within a frame story. [2]
The Panchatantra is an ancient Sanskrit collection of stories, probably first composed around 300 CE (give or take a century or two), [1] though some of its component stories may be much older. The original text is not extant, but the work has been widely revised and translated such that there exist "over 200 versions in more than 50 languages."
The story found in the Panchatantra relates how a mouse drops from the beak of a bird of prey into the hands of a holy man, who turns it into a girl and brings her up as his own. Eventually he seeks a powerful marriage for her but discovers at each application that there is one more powerful: thus the cloud can cover the sun, the wind blows the ...
Murray B. Emeneau considers the migration of this story, through its steps from India to Wales, as "one of the best authenticated cases of such diffusions of folk-tales". [10] It is classified as Aarne-Thompson type 178A. [4] The story occurs in all versions of the Panchatantra, as well as the later Sanskrit works Hitopadesha [11] and the ...
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The prelude narrates the story of how Vishnu Sharma supposedly created the Panchatantra. There was a king called Sudarshan [ citation needed ] who ruled a kingdom, whose capital was a city called Mahilaropya (महिलारोप्य), whose location on the current map of India is unknown. [ 9 ]
The Story of the Blue Jackal is one story in the Panchatantra One evening when it was dark, a hungry jackal went in search of food in a large village close to his home in the jungle . The local dogs didn't like Jackals and chased him away so that they could make their owners proud by killing a beastly jackal.
The stories are in response to requests of parables from Dabschelim and they follow a Russian doll format, with stories interwoven and nested to some depth. There are fifteen main stories, acting as frame stories with many more stories within them. The two jackals, Kalila and Dimna, feature both as narrators of the stories and as protagonists ...