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Volume Logic was available for RealPlayer, Windows Media Player, Winamp and Musicmatch.It was designed to subjectively improve the listening experience by increasing loudness of soft passages, controlling loudness of loud passages without audible distortion, emphasizes loudness of bass separately, for example.
Electrostatic speakers can have lower harmonic distortion but suffer higher intermodulation distortion. 3% distortion residue corresponds to 1 or 2% total harmonic distortion. Professional monitors may maintain modest distortion up to around 110 dB SPL at 1 m, but almost all domestic speaker systems distort badly above 100 dB SPL.
Exact Audio Copy (EAC) is a CD ripping program for Microsoft Windows. The program has been developed by Andre Wiethoff since 1998. The program has been developed by Andre Wiethoff since 1998. Wiethoff's motivation for creating the program was that other such software only performed jitter correction while scratched CDs often produced distortion.
An audio analyzer is a test and measurement instrument used to objectively quantify the audio performance of electronic and electro-acoustical devices. Audio quality metrics cover a wide variety of parameters, including level, gain, noise, harmonic and intermodulation distortion, frequency response, relative phase of signals, interchannel crosstalk, and more.
Dynamic range in analog audio is the difference between low-level thermal noise in the electronic circuitry and high-level signal saturation resulting in increased distortion and, if pushed higher, clipping. [23] Multiple noise processes determine the noise floor of a system.
A system may have low distortion for a steady-state signal, but not on sudden transients. In amplifiers, this problem can be traced to power supplies in some instances, to insufficient high-frequency performance or to excessive negative feedback. Related measurements are slew rate and rise time. Distortion in transient response can be hard to ...
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24-bit and 32-bit audio does not require dithering, as the noise level of the digital converter is always louder than the required level of any dither that might be applied. 24-bit audio could theoretically encode 144 dB of dynamic range, and 32-bit audio can achieve 192 dB, but this is almost impossible to achieve in the real world, as even ...