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Saint John the Baptist is a High Renaissance oil painting on walnut wood by Leonardo da Vinci. Likely to have been completed between 1513 and 1516, it is believed to be his final painting. Its original size was 69 by 57 centimetres (27 in × 22 in). The painting is in the collection of the Louvre.
Bacchus, originally Saint John the Baptist, is a painting in the Musée du Louvre, Paris, France, by the Italian Renaissance artist Leonardo da Vinci and Francesco Melzi, while in Leonardo's workshop. Sydney J. Freedberg assigns the drawing to Leonardo's second Milan period. [1]
The Virgin and Child with Saint Anne and Saint John the Baptist, sometimes called the Burlington House Cartoon, is a drawing by Leonardo da Vinci. The drawing is in charcoal and black and white chalk, on eight sheets of paper that are glued together. Because of its large size and format the drawing is presumed to be a cartoon for a painting. [1]
Signed and dated at bottom right, the image depicts the severed head of John the Baptist on a charger plate in which is a reflection, probably of Solari himself. [1] The frame bears a seemingly original Latin inscription evoking John the Baptist. It is now in the Louvre in Paris, to which it was given by Eugène Lecomte in 1868.
The Madonna and Child with the Infant Saint John the Baptist is a lost composition by Leonardo da Vinci. [1] The composition is known through a handful of paintings attributed to artists in Leonardo's circle. An original underdrawing by Leonardo may be preserved in a version in a private collection in Moscow, Russia. [2]
The painting portrays Mary, Christ and a young John the Baptist. Mary is the focus of the painting. Her face is situated at the apex of the pyramidal composition and her body fills most of the rest. She is holding the Christ child, who is standing at her foot to her right. John the Baptist is on the ground to the left of Mary and is holding his ...
It is a preparatory study for the head of the Virgin Mary in the painting The Virgin and Child with Saint Anne in the Musée du Louvre. Probably executed between 1507 and 1513 , it belongs to a series of studies largely dating from the beginning of the painting's creation in 1502–1503, each focusing on a particular detail.
The Feast of Herod and the Beheading of Saint John the Baptist, Benozzo Gozzoli, 1461–62, National Gallery of Art; The Head of St John the Baptist, Giovanni Bellini, 1464–68; The Beheading of St. John the Baptist, Lieven van Lathem, 1469, The J. Paul Getty Museum; Herod's Feast, Heydon, Norfolk, c. 1470, wall painting in an English parish ...