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Azurite or Azure spar [5]: 14 is a soft, deep-blue copper mineral produced by weathering of copper ore deposits. During the early 19th century, it was also known as chessylite , after the type locality at Chessy-les-Mines near Lyon , France . [ 3 ]
Azurite was frequently used in European Renaissance painting. It appears, for example, in the dark blue sky of a Spanish altarpiece painting by Bartolome Bermejo. [8] In this painting, azurite is also combined with lead white to paint the green robe of the Saint. [8] During this time, azurite was a common pigment used to paint a blue sky. [1]
Bisbee, Arizona, 92 miles southeast of Tucson experienced secondary oxidation and enrichment to form high-quality malachite and azurite. Southern Arizona was uplifted and experienced volcanic eruptions, which deposited high silica ash to the north as the Chinle Formation, which created the petrified wood of Petrified Forest National Park ...
Azure spar, sometimes azur-spar (German: Lazur spath, Blau spath) is a trivial and commercial, partly obsolete name for several of the most famous bright blue or blue-colored minerals, which also have similar names, most notably for lazurite and azurite, [1]: 14 and also for the less commonly used lazulite.
Amethyst crystals – a purple quartz Apophyllite crystals sitting right beside a cluster of peachy bowtie stilbite Aquamarine variety of beryl with tourmaline on orthoclase Arsenopyrite from Hidalgo del Parral, Chihuahua, Mexico Aurichalcite needles spraying out within a protected pocket lined by bladed calcite crystals Austinite from the Ojuela Mine, Mapimí, Durango, Mexico Ametrine ...
Most minerals on Earth formed after photosynthesis by cyanobacteria (pictured) began adding oxygen to the atmosphere. Mineral evolution is a recent hypothesis that provides historical context to mineralogy. It postulates that mineralogy on planets and moons becomes increasingly complex as a result of changes in the physical, chemical and ...
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A synthetic form of malachite, verditer, has also been used. In Latin America, the Teotihuacan civilisation, which ruled in Mexico between 300 and 650, AD, made murals using crushed malachite, which was mixed with chalk for lighter shades, or mixed with blue from azurite or lapis-lazuli to make blue greens, or with yellow ochre to make yellow ...