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The Oriental riff and interpretations of it have been included as part of numerous musical works in Western music. Examples of its use include Poetic Tone Pictures (Poeticke nalady) (1889) by Antonin Dvořák, [6] "Limehouse Blues" by Carl Ambrose and his Orchestra (1935), "Kung Fu Fighting" by Carl Douglas (1974), "Japanese Boy" by Aneka (1981), [1] [4] The Vapors' "Turning Japanese" (1980 ...
A Pasi gong is a medium-size gong 12 to 15 inches (30 to 38 cm) in size, with a loud crashing sound. It is used traditionally to announce the start of a performance, play or magic. It is used traditionally to announce the start of a performance, play or magic.
TU Ren-Shun; "Effect of Practicing Health Qigong-Liu Zi Jue on Endocrine System During Menopause"; Xiyuan Hospital of China, Academy of T.C.M. (Beijing 100091) TU Ren-Shun; "Effect of Practicing Health Qigong-Liu Zi Jue on Brain Electrical Power Spectra for Old and Middle-aged People"; Xiyuan Hospital of China, Academy of T.C.M. (Beijing 100091)
Gongche notation or gongchepu is a traditional musical notation method, once popular in ancient China.It uses Chinese characters to represent musical notes.It was named after two of the Chinese characters that were used to represent musical notes, namely "工" gōng and "尺" chě.
Sichuan naonian luogu (四川闹年锣鼓) - gong and drum music performed for the celebration of the Chinese New Year in Sichuan Province; Sunan shifan luogu (苏南十番锣鼓, see shifan luogu; Tonggu ensemble (铜鼓) - bronze drum ensemble (cf. Dong Son drums) Zhedong luogu (浙东锣鼓) - gong and drum music of eastern Zhejiang Province
In Chinese mythology, Ling Lun is said to have created bamboo flutes which made the sounds of many birds, including the mythical phoenix. "In this way, Ling Lun invented the five notes of the ancient Chinese five-tone scale (gong, shang, jiao, zhi, and yu, which is equivalent to 1, 2, 3, 5, and 6 in numbered musical notation or do, re, mi, sol, and la in western solfeggio) and the eight sounds ...
The effect of changing the starting point of a song can be rather like the effect of shifting from a major to a minor key in Western music. The scalar tunings of Pythagoras , based on 2:3 ratios (8:9, 16:27, 64:81, etc.), are a western near-parallel to the earlier calculations used to derive Chinese scales.
Because of the richness of the timbre, sound and variety of Chinese percussion instruments, they are frequently used in Western-style musical compositions. A large gong can create a stately and imposing atmosphere; dramatic effects can be achieved with the tanggu, muyu and qing also can invoke an element of mystery.
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