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"Sweet Dreams (Are Made of This)" was the first-ever single released by Eurythmics in the United States when it was released around the end of April 1983. The single debuted at number 90 on the Billboard Hot 100 in May and slowly eased up the chart. [ 21 ]
Sweet Dreams: The Video Album (1983) Eurythmics Live (1987) Savage (1988) Eurythmics Live is a live concert video by the British pop/rock duo Eurythmics, ...
Sweet Dreams (Are Made of This) is the second studio album by British pop duo Eurythmics, released on 4 January 1983 by RCA Records.Along with the title track, which reached number two on the UK Singles Chart and number one on the US Billboard Hot 100 that year, the album also features the singles "This Is the House", "The Walk", and "Love Is a Stranger".
Eurythmics' commercial breakthrough came with their second album, Sweet Dreams (Are Made of This), released in January 1983. The successful title track featured a dark and powerful sequenced synth bass line and a dramatic video that introduced the now orange crew-cut Lennox to audiences.
Video Details 1983 Sweet Dreams – The Video Album. Label: RCA; Formats: VHS/LaserDisc/DVD; Live concert recording in 1983 at the London nightclub Heaven. 1987 Brand New Day. Label: K Films; Formats: VHS ; This film highlights the Japanese leg of Eurythmics' Revenge Tour by Israeli filmmaker Amos Gitai and was released in France. 1987 ...
'Sweet Dreams' Eurythmics, 1983. What you thought you heard: “Sweet dreams are made of cheese. ...
"Love Is a Stranger" is a song by the British pop duo Eurythmics. It is the opening track off their second album, Sweet Dreams (Are Made of This).Originally released in late 1982, the single peaked outside the top 50 in the UK, but it was re-released in 1983, reaching the top 20 in several countries, including number six in the UK. [2]
The video accompanying "Sweet Dreams (Are Made of This)", in which Annie Lennox appeared with closely cropped orange hair and wearing a man's business suit, was both striking and surreal. Lennox's extraordinary image was at odds with her female contemporaries.
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