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Models (painting) Morgan le Fay (painting) Moses and his Ethiopian wife Zipporah; Mother and Child (Cassatt) Mother with a Child and a Chambermaid; Mother with Child; A Mother's Duty; Mothers, Sisters; Mrs. Atkinson (Gwen John) The Musician (Bartholomeus van der Helst painting) Musidora: The Bather 'At the Doubtful Breeze Alarmed'
Sandro Botticelli, The Birth of Venus (c. 1484–1486).Tempera on canvas. 172.5 cm × 278.9 cm (67.9 in × 109.6 in). Uffizi, Florence Detail: the face of Venus. The Birth of Venus (Italian: Nascita di Venere [ˈnaʃʃita di ˈvɛːnere]) is a painting by the Italian artist Sandro Botticelli, probably executed in the mid-1480s.
Christ and the Canaanite Woman (1594-1595) by Annibale Carracci. Christ and the Canaanite Woman is a 1594-1595 oil on canvas painting by Annibale Carracci, now in the Pinacoteca Stuard in Parma. The work was mentioned by Carlo Cesare Malvasia, who, in Felsina Pittrice, called it "the famous Canaanite Woman.
Women were able to take part in almost every religious festival in classical Athens, but some significant festivals were restricted only to women. [126] The most important women's festival was the Thesmophoria , a fertility rite for Demeter which was observed by married noblewomen.
The Louvre version of the painting was bought in 1949 from the French Administration des Douanes. [citation needed] In the somewhat uncertain chronology of Georges de La Tour's work, this painting has been allotted the date of 1640, by analogy with the Saint Mary with a Mirror, which has been dated between 1635 and 1645.
Helen of Troy is an 1898 painting by the English artist Evelyn De Morgan depicting Helen of Troy; it was commissioned by William Imrie of Liverpool. [1]Compositionally, the painting is similar to De Morgan's Flora and Cassandra: [2] Helen is standing upright and tall, in a peaceful posture that reminds to Boticcelli's representations of Greek and Roman goddesses (such as Athena or Venus) that ...
Suzanne Valadon painted non-sexualised, not overly-erotic nude depictions of women. [83] The art work does not depict women from the traditional male gaze standpoint, and Valadon was one of the only women artists to paint such subject matter, in such a way, in the first half of the 20th century. [83]
The legendary rape of the Sabine women is the subject of two oil paintings by Nicolas Poussin. [a] The first version was painted in Rome about 1634 or 1635 and is now in the Metropolitan Museum of Art in New York City, catalogued as The Abduction of the Sabine Women. [1]
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