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There, the word dulcimer, which was familiar from the King James Version of the Bible, was used to refer to a three or four stringed fretted instrument, generally played on the lap by strumming. Variants include: The original Appalachian dulcimer; Various twentieth century derivatives, including Banjo dulcimer, with banjo-like resonating membrane
Everything Dulcimer – Online community featuring articles, listings and discussion forums. The Dulcimerica Video Podcast – A video podcast featuring performances, lessons, interviews and travelogs. Friends of the Mountain Dulcimer – a supportive online learning community of mountain dulcimer players.
Robert Force (born in Snohomish, Washington) is a performer and composer on Appalachian dulcimer. He is also a producer, and the author of In Search of the Wild Dulcimer, Wild Dulcimer Songbook, and Pacific Rim Dulcimer Songbook.
Russell Cook is a hammered dulcimer builder and player from Oklahoma, United States. [1] Russell won first place in the 1981 Walnut Valley National Hammered Dulcimer Championship held in Winfield, Kansas. Cook built his first dulcimer in 1979, and has gone on to build hammered dulcimers. He originally operated under the name Wood 'N Strings.
The mountain dulcimer often conjures up rustic mountain life and simple traditional music from the American South in a bygone era. But that’s not the whole story. From a group of countercultural youth living in the Santa Cruz Mountains in the late 1960s to Joni Mitchell's influential Blue album in the early 1970s, the mountain dulcimer found a new voice in a "new land": California.
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The hammered dulcimer (also called the hammer dulcimer) is a percussion-stringed instrument which consists of strings typically stretched over a trapezoidal resonant sound board. The hammered dulcimer is set before the musician, who in more traditional styles may sit cross-legged on the floor, or in a more modern style may stand or sit at a ...
The hammered dulcimer became popular throughout the Austro-Hungarian Empire, where it was quickly spread by itinerant Jewish and Romani (Gypsy) musicians. It spread to Romania, Moldavia, Hungary, Slovakia, Ukraine and Belarus, where a variety of regional folk versions and concert instruments were developed. These instruments differed in size ...
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