Search results
Results from the WOW.Com Content Network
Marcus Garvey is the third album by reggae artist Burning Spear, released in 1975 on Fox Records in Jamaica and then internationally on Island Records later in the year. The album is named after the Jamaican National Hero and Rastafari movement prophet Marcus Garvey. A dub version of it was released four months later as Garvey's Ghost.
100th Anniversary: Marcus Garvey/Garvey's Ghost (1987) The Fittest Selection: Greatest hits of 1980-1983 (1987), EMI; Keep the Spear Burning (1989), Island; The Original (1992), Sonic Sounds; Chant Down Babylon The Island Anthology (1996), Island; Best of Burning Spear (1999), Declic; Ultimate Collection: Best of Collection (2001), Island
Garvey's Ghost is the fourth album by the reggae artist Burning Spear, released in 1976 on Island Records, ILPS 9382. Each track is a dub version of its correspondent song on his third album, Marcus Garvey .
Man in the Hills is a reggae album by Jamaican musician Burning Spear (Winston Rodney), released in 1976 (see 1976 in music) on Island Records. Man in the Hills was follow-up to the seminal Marcus Garvey; Man in the Hills is usually considered a worthy follow-up, though less innovative and incendiary.
It should only contain pages that are Burning Spear albums or lists of Burning Spear albums, as well as subcategories containing those things (themselves set categories). Topics about Burning Spear albums in general should be placed in relevant topic categories .
Burning Spear in 2013. Burning Spear has won two Grammy Awards for Best Reggae Album; one at the 42nd Grammy Awards in 2000 for Calling Rastafari, and one for 2009's Jah Is Real. He has been nominated for a total of 12 Grammy Awards. [18] [24] Nominations for Grammy Award for Best Reggae Album: [25] 1986 Resistance; 1988 People of the World
The search engine that helps you find exactly what you're looking for. Find the most relevant information, video, images, and answers from all across the Web.
The New Zealand Herald thought that "while being generally good smoky stuff, it doesn't bear comparison with his crucial Marcus Garvey/Garvey's Ghost and Social Living/Living Dub pairings from way back which drop your unsuspecting brain down an elevator shaft."