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In 2009, rumours spread that Lasso would become mute due to damage to his voice box; although he did not perform for four months during that period, he performed in a series of concerts between May and June of that year. [3] Lasso has expressed interest in becoming a music producer if he can no longer be a singer. [2]
Download QR code; Print/export ... Yang Terbaik is a greatest hits album by Indonesian singer Ari Lasso. ... In marketing this album, Ari and the record label working ...
The music genre of this album is pop rock, but there are also influences of Latin rhythms like reggae and European rhythms like Flamenco. After many months, Lasso returned to Venezuela with his first single "No Pares de Bailar", from his album Sin Otro Sentido. This album was launched in March 2011 and Recordland in charge of the national ...
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The concept of .MP3 revolves around a revival of the female-driven pop of the 1990s but predominantly the 2000s era, the music that Emilia listened to while growing up. [5] [6] As such, she has mentioned U.S. pop stars such as Beyoncé, Rihanna, Missy Elliot, Gwen Stefani and Pink as some of her biggest inspirations, [6] [7] as well as Latin American singers like Shakira, Thalía and Paulina ...
Liza Minnelli in 1969 on her album Come Saturday Morning. [3] Chet Baker on his 1970 album Blood, Chet and Tears; Johnny Mathis on his 1970 album Close To You; Tony Bennett on his 1970 album Tony Bennett's Something; Patti Page on her 1970 album Honey Come Back; Mark Lindsay on his 1970 album Silverbird; Scott Walker on his 1972 album The Moviegoer
Around 1969, the music industry was undergoing changes in public taste regarding music. [4] The Broadway songs for which Liza Minnelli was known were usually overshadowed by popular artists' productions by record labels, prioritizing music genres like rock and artists like John Lennon, Paul McCartney, Burt Bacharach, and Hal David. [4]
Ari Ari is a cover of a cover. The original, Baari Barsi, is a traditional folk song usually sung in call-and-response form with improvised verses. [4] It was later covered multiple times by the bhangra duo Bombay Rockers. [citation needed] The version on their 2007 album, Crash and Burn, serves as the basis for Bloodywood's reinterpretation.