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Self-portraiture, or Autoportraiture is the field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits. [ 1 ] [ 2 ] [ 3 ] Emerging in Antiquity and becoming popular from the Renaissance as an artistic practice, as a specific field of study, self-portraiture is ...
A self-portrait may be a portrait of the artist, or a portrait included in a larger work, including a group portrait. Many painters are said to have included depictions of specific individuals, including themselves, in painting figures in religious or other types of composition.
35 Year Portrait, a double-sided self-portrait sculpture on display at the Smithsonian American Art Museum. During the start of the 1960s, Arneson and several other California artists began to abandon the traditional manufacture of functional ceramic objects and instead began to make nonfunctional sculptures that made confrontational statements.
Ducreux also made several well-known self-portraits in the 1780s and 1790s, including one in 1783 in which he painted himself in the middle of a large yawn (the Getty Center, Los Angeles). [5] In another, Portrait de l'artiste sous les traits d'un moqueur (c. 1793, Louvre), the artist guffaws and points at the viewer. [6] Joseph Ducreux - Le ...
The artist had his first exhibition with Jopling in 1991, exhibiting Self (1991), a frozen self-portrait made out of nine pints of the artist's blood. [5] [1] During the 1990s, Quinn and several peers were identified for their radical approach to the making and experiencing of art.
Thomas Smith (c. 1650 –1691) was an artist, sailor and slave trader in colonial New England. Smith is best known for the self-portrait that he painted c. 1680, which according to the Worcester Art Museum, is "the only seventeenth-century New England portrait by an identified artist and the earliest extant American self-portrait."
The sculptural practice of Marisol simultaneously distanced herself from her subject, while also reintroducing the artist's presence through a range of self-portraiture found in every sculpture. [18] Unlike the majority of Pop artists, Marisol included her own presence within the critique she produced. [18]
A self-portrait bust of Rush in 1822, now housed at the Pennsylvania Academy of the Fine Arts in Philadelphia. William Rush (July 4, 1756 – January 17, 1833) was a U.S. neoclassical sculptor from Philadelphia, Pennsylvania. He is considered the first major American sculptor.
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